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Hildegard Revisited #47(2) – recorded!

I am pleased to say that, as announced in my previous post, Cum processit – the finger of God was premiered at our concert in the Lundi d’Orgue / Orgel op Maandag lunchtime series in Brussels on December 16, 2024.

This setting is for voice and organ, rather than my usual cellos and voices mix. The chant is a Marian antiphon, and I chose to create the setting for the feast day of Our Lady of Guadalupe on December 12th. As legend has it, the Virgin Mary appeared to the Mexican Juan Diego and his uncle in 1531. The most famous phrase linked to these appearances – ¿No estoy yo aqui que soy tu madre? (Am I not here, I who am your mother?) – is written above the entrance to the Basilica in Guadalupe.

Here’s the live recording. I am accompanied by the talented organist Xavier Deprez.

When the creation of God’s finger came forth, formed in God’s image, issuing of mixed blood through the pilgrim-way of Adam’s fall, then the elements received these vital joys in you, O Mary, worthy of praise, and in the reddening sky they sound you in their praises.

A Christmas Concert!

Monday December 16, 2024 at 1pm

Medieval Music for the 21st Century with Penelope Turner and Xavier Deprez
Lundi d’Orgue / Orgel op Maandag lunchtime series at Église Notre-Dame du Finistère, rue Neuve / Onze Lieve Vrouw ter Finisterrae, Nieuwstraat, 1000 Brussels, Belgium.

English and German medieval carols and songs by Hildegard Von Bingen. Includes contemporary settings of Hildegard’s music for voice and organ, written as part of my “Hildegard Revisited” project, and improvisations by Xavier Deprez. Welcome! 

Hildegard Revisited #48

Here is the second in my “Scivias chants” mini series: O tu suavissima virga. The first was O splendidissima gemma, and this is its paired responsory – also dedicated to the Virgin Mary. (You will find my setting of O splendidissima gemma here.)

I will now get to work revisiting this one, so that it is ready in time for the live première of both these Scivias pieces: during a concert to be given by my new group, Ensemble Caldemia, at 6pm on March 16th in the Brussels Cathedral.

o tu suavissima virga: a responsory dedicated to the Virgin Mary

O you, the sweetest branch, sprouting from the root of Jesse. O how great is the virtue which the divinity beheld in this most beautiful daughter, like an eagle sets its eye to the sun, when the heavenly father directed attention to the bright virgin, in whom he wished his word to be made carnate. V: For in the mystical mystery of God, the virgin’s mind was enlightened and from her came forth the wonderfully bright flower.

Come and sing Hildegard von Bingen! 4 workshops in February and March 2025

It is with great pleasure that I announce another series of workshops around the inspiring music of Hildegard von Bingen – 12th-century abbess, composer, herbalist, linguist, and all-round influencer!

Music was a central part of Hildegard’s life – she considered it to be a foretaste of paradise. During February and March next year, I will offer four workshops (given in English, French and Dutch) that will focus on singing Hildegard von Bingen from her original notation. Once you’ve tried it you’ll never look back 🙂

Why learn to read her language?

Singing Hildegard from modern editions is problematic because our modern notation encourages a note-by-note interpretation of her melodies. Using the original notation as a basis frees up your mind and your voice as you follow the direction of the musical phrases, shown graphically on the page. It is a language that once learnt is never put aside!

Who should come?

These workshops are open to both professional and amateur singers. The only technical requirement is that you have the confidence to sing in a small group and that you can pitch and hold a note. We will learn the language of the notation together.

Practicalities:

There are four workshops planned in 2025 on 08/02, 22/02, 08/03 and 15/03, all in the beautiful Brussels Cathedral on Saturday mornings between 9:00 and 12:00. These workshops will culminate in a group performance on Sunday March 16, 2025 during 11:00 mass at the Cathedral. There will also be an end-of-series concert given by Ensemble Caldemia on Sunday March 16, 2025 at 18:00.

Because of the nature of these workshops, the number of participants is limited. First come first served! Please contact me (penelope.turner@telenet.be or +32 476 713 525) and I will send you a registration form. The basic prices are mentioned on the flyer, but please note that I am offering a reduction of 50% for students, professional musicians, the unemployed and the over 65s.

Big thanks to the Cathedral for hosting this project. I can’t wait to share this wonderful music with you!

Hildegard Revisited #47(2)

A quick post to announce that I have finished my revisiting of #47, the Marian chant Cum processit. Yay!

However, as this one is scored for organ, rather than my usual cellos and voices, it’s not possible for me to record it at home.

Cum processit – the finger of God will be premièred on December 16, 2024 during a lunchtime concert in the “Lundi d’Orgue” series in the Finistère Church in Brussels (more details here).

So you can either come and experience it live, or wait until I can upload the recording.

In the meantime, I will get going on with my next chant (#48) – watch this space!