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Hildegard Revisited #48(2)

It’s taken me a while, but I have now finished my revisiting of the Scivias responsory O tu suavissima virga. Many thanks to Marianne, as it was our recent conversation that helped me to decide on a choral arrangement for this one. It is scored for solo voice, with a semi-chorus and full choir, accompanied by two cellos and a drum.

Here it is!

O you, the sweetest branch, sprouting from the root of Jesse. O how great is the virtue which the divinity beheld in this most beautiful daughter, like an eagle sets its eye to the su, when the heavenly father directed attention to the bright virgin, in whom he wished his word to be made carnate. V: For in the mystical mystery of God, the virgin’s mind was enlightened and from her came forth the wonderfully bright flower.

Hildegard von Bingen’s chants in a 21st century setting – release of a new album!

Precious Hope contains music from my Hildegard Revisited project. Each work is a modern, “classical music” revisiting of one of Hildegard von Bingen’s chants. The chant is sung in its integrity, but surrounded by new music that I have composed inspired by the chant and informed by my own personal musical journey. Medieval music for the 21st century 🙂

The album was released on March 1, 2025 under the Etcetera Record Label and is available digitally on all major streaming platforms (SpotifyYoutubeDeezer, Apple Music, etc.).

Ensemble Caldemia’s “maiden voyage”

You can reserve your tickets via www.cathedralisbruxellensis.be! Looking forward to the official launch of this new adventure 🙂

Kurt Weill goes to Hythe and Elham in April 2025!

Saturday April 5th at 12 noon in Hythe, and Sunday April 6th at 3pm in Elham. It would be lovely to see you there!

You’ll find all the practical details on these striking posters – many, many thanks to the talented Stefan Setchell, who designed them for us.

Hildegard Revisited #37(3)

In preparation for Ensemble Caldemia’s “maiden voyage” – our concert in the Brussels Cathedral on March 16, 2025 (tickets available here) – I have reworked my previous revisiting of Hildegard’s antiphon O orzchis ecclesia for five voices and two cellos.

Here is my home-recorded version. I can’t wait to play it live!

O orzchis ecclesia armis divinis precincta et iacincto ornata tu es caldemia stigmatum loifolum et urbs scientiarum o tu es etiam crizanta in alto sono et es chorzta gemma

O orzchis [vast] Church, shielded with divine might and adorned with jacinth: you are caldemia [the scent] of the stigmata loifolum [of the people] and a city of knowledge. O, o, you are indeed crizanta [anointed] in the lofty sound; you are a chorzta [shining] jewel.

Other words from the Lingua Ignota used during this piece:
curizan jewelry settings
naczuon necklace
naurizin ring
gragischon bracelet
oiralbruin earrings
crizia church
loiffol people
scurinz flame
orschibuz oak tree

Note about the composition:
For two of the vocal sections, I wrote the music using an improvisation technique based on the idea of neumes and relative pitch. For each word from the Lingua Ignota I decided in advance whether, relative to the first note sung, the pitch would then rise, fall or stay the same for each subsequent syllable. I then respected this relationship between the syllables but was free in the actual pitches and rhythm used. For example, the three syllables of “curizan” were given the shape: “first note, higher, lower”, while “orschibuz” was “first note, same, same”, etc.