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Hildegard Revisited #51

My next challenge within this project is to revisit the lovely hymn that Hildegard wrote for St Ursula. Here is the original chant, sung according to the Dendermonde manuscript:

Cum vox sanguinis

When the voice of Ursula’s blood, and of her innocent host, sounded before God’s throne, an ancient prophecy passed through the root of Mamre and spoke in the revealed truth of the Trinity: “This blood touches us, let us all now rejoice.”

And after that, the congregation of the lamb came, through the ram caught in the thorns, and said: “Let there be praise in Jerusalem for the redness of this blood.”

Then came that sacrifice of the calf, which the old law indicated, a sacrifice of praise, clothed in many colours, that hid God’s face from Moses, showing him only God’s back. This stands for priests who show God with their tongues but cannot see him fully. And say: “O most noble host, that virgin, who is called Ursula on earth, is called the Dove in heaven, because she gathered around her a host of innocents.

O Ecclesia, you are worthy of that host’s praise. That great host, which is signified by the unconsumed bush that Moses saw, and which God planted in the first root in the humans he made of earth. So that it might have life without any mixture with man, that host called out in a radiant voice made of gold, topaz and sapphire, loved by the lamb.

Now let all the heavens rejoice, and let all people be adorned with them. Amen.

April concerts in the UK

I have two lovely concerts coming up with the incredibly talented Helen Crayford. Do come and join us in Kent for some vintage cabaret gems 🙂

We are in Hythe for an aperitif concert at 6pm on Saturday April 18, and in Elham on Sunday April 19 at 3pm. More details in the posters below.

Hildegard Revisited #50(2)

Here is the latest composition in my Hildegard Revisited series (number 50 of 77). The text is a yearning for joy, and the melody is written in the mysterious phrygian mode. I had the idea that a languorous waltz might create the right atmosphere, and was delighted when the chant slipped easily into this somewhat surprising context.

If you’d like to see and hear the original, sung from the 12th century manuscripts, check out my previous post.

O eterne deus – a slow dance for joy

O eternal God, please burn now with such love that we may become those limbs that you made in the same love as you begot your Son at the first dawn, before all other creatures; and look at the need that falls upon us and remove it from us, for your Son’s sake, and lead us to the joy of salvation.

A nice weekend of concerts coming up!

On February 7th and 8th, I will be performing with ensemble Ut Sol and Marianne Noordink in Winter, a concert that combines music by Hildegard von Bingen, with Yiddish songs, and Sufi melodies. Winter emphasizes our shared human experience, tracing our journey through the darkness to the new light.

On February 7th, we are in Huissen, NL. There is a singing Hildegard workshop before hand from 2pm to 5pm. If you’d like to attend, please reserve here.

On February 8th, we are in St. Andrew’s Brussels (concert only). Space is limited, so reservation is advised, via www.musicrelevant.be.

I’m looking forward to this celebration of the light!

Hildegard Revisited #50

Just in time for Christmas, an ecstatic antiphon by Hildegard Von Bingen about love and the joy of salvation 🙂

O eterne deus

O eternal God, please burn now with such love that we may become those limbs that you made in the same love as you begot your Son at the first dawn, before all other creatures; and look at the need that falls upon us and remove it from us, for your Son’s sake, and lead us to the joy of salvation.

My entire Hildegard Revisited project is on SoundCloud.