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Two Projects Now Available – New Page!

You can now find details of my projects with the pianist Andrew Wise on my new webpage: www.penelopeturner.com/projects-with-andrew-wise/

 

Just Kurt

Songs from the 20s, 30, and 40s by Kurt Weill

Norwich 18

 

 

 

 

 

and

Marlene in Paris

The music of Marlene Dietrich and friends in 1930s Paris

 

 

 

 

 

 

 

 

 

 

One new video from our UK trip

Here’s the Norwich version of ‘Je ne t’aime pas‘…

Some photos from the July 2014 UK tour…

Norwich 21 Norwich 12 Norwich 16

Norwich 17 Norwich 6 Norwich 13

Norwich 4 Norwich 18

London 24 London 27 London 22 London 37

England here we come!

Just Kurt‘ : Saturday 5th in Pinner; Sunday 6th in Norwich

Kurt Weill – A Composer to be Taken Seriously

Kurt Weill was one of a kind. Classically trained, he was, according to the Groves Dictionary of Music and Musicians, “one of the outstanding composers in the generation that came to maturity after World War I, and a key figure in the development of modern forms of musical theatre.” In Germany in the 20s and 30s, Weill was acknowledged to be the most gifted composer after Hindemith, and with a much better sense of theatre. Not to take him seriously as a significant 20th century musical figure is a mistake.

Weill developed an authentic musical style that combines classical music with jazz and dance elements in such a way as to make his music instantly recognizable. His skill in setting texts to music is unparalleled. During his collaboration with Bertolt Brecht, and later on Broadway, he had a genius for allowing a text and its meaning to shine at full brilliance while never diminishing the strength of his music.

Brecht and Weill’s first major triumph was ‘The Threepenny Opera‘, a work that demonstrated their desire to write meaningful, socially-engaged works that both impressed intellectuals and were also meant for a broader public. Weill was anti-elitist, but at the same time delivered works of significant musical substance, full of inventiveness and originality.

That his path was formed largely by world events is clear. How his musical development would have been different had he not had to leave Germany and emigrate to the United States is open to speculation. What is clear, however, is that the body of works left to us by Kurt Weill is studded with gems that delight all music lovers – whether their preference be for classical music, jazz or music theatre.

photo Weill and Lenya